Broadcast Equipment Operator
Communications & Broadcasting
Function as workers and managers within communications industries.
What Broadcast Equipment Operators Do
Function as workers and managers within communications industries.
Common Tasks
Broadcast Technicians
- 1Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.
- 2Monitor and log transmitter readings.
- 3Maintain programming logs as required by station management and the Federal Communications Commission.
- 4Monitor strength, clarity, and reliability of incoming and outgoing signals, and adjust equipment as necessary to maintain quality broadcasts.
- 5Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.
What You'll Learn
Types of Broadcast Equipment Operators
Work Environment
Locations
- • Radio and TV stations
- • Production studios and control rooms
- • Live event venues (sports, concerts, theaters)
- • Postproduction and editing facilities
- • Remote broadcast trucks and field locations
Schedule
Schedules often include evenings, weekends, and occasional on-call shifts, especially for live broadcasts and events, with time pressure during airtime.
Physical Demands
Work is often a mix of long periods sitting at consoles and hands-on equipment handling, including lifting and moving gear. Some roles require standing for setups, working in tight spaces, and occasional climbing or cable runs.
Salary & Job Outlook
National Employment: 85,200 jobs
Top Paying States
Why Demand May Grow
Growth in streaming, live events, podcasts, and remote production can increase the need for technicians who can set up and maintain audio/video signal chains. Upgrades to IP-based broadcast systems and new transmission standards can also drive equipment installation and troubleshooting work.
Skills You'll Need
Pros & Cons
Pros
- • Hands-on work with professional audio/video technology
- • Variety of work across live, studio, and field productions
- • Clear skill progression into engineering or operations roles
- • Opportunities in major media markets and event production
- • Work that directly supports high-visibility productions
Cons
- • Irregular hours and last-minute schedule changes
- • High time pressure when shows are live or deadlines are tight
- • Industry consolidation and automation can limit openings
- • Troubleshooting can be stressful when equipment fails
- • May involve repetitive tasks and long screen/console time
Common Questions About the Broadcast Equipment Operator Trade
Ready to Get Started?
Not Sure This Trade is Right?
Take our free career quiz to discover trades that match your interests and skills.
Take the Career Quiz